.

NEWS AND VIEWS THAT IMPACT LIMITED CONSTITUTIONAL GOVERNMENT

"There is danger from all men. The only maxim of a free government ought to be to trust no man living with
power to endanger the public liberty." - - - - John Adams

Monday, March 15, 2021

A Little Monday Music - The Good, The Bad, and The Ugly

 


Starting The Week off on a High Note
  • I have decided to try and start each new week off on a positive high note. But being a glass half empty kind of guy I suspect things will turn into crap soon enough.

The Good, the Bad and the Ugly is a 1966 Italian epic Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly".

The Eastwood Italian films were undeniably stylish. With grandiose wide shots and close ups that peered into the eyes and souls of the characters, The Good, The Bad, and The Ugly, had defining cinematographic techniques along with antiheroes, ambiguous morals, brutality, and anti-Establishment themes.

Quentin Tarantino noted on the films:

There was also realism to them: those shitty Mexican towns, the little shacks — a bit bigger to accommodate the camera — all the plates they put the beans on, the big wooden spoons. The films were so realistic, which had always seemed to be missing in the westerns of the 1930s, '40s, and '50s, in the brutality and the different shades of grey and black. Leone found an even darker black and off-white. There is realism in Leone’s presentation of the Civil War in The Good, the Bad and the Ugly that was missing from all the Civil War movies that happened before him. Leone’s film, and the genre that he defined within it, shows a west that is more violent, less talky, more complex, more theatrical, and just overall more iconic through the use of music, appearing operatic as the music is an illustrative ingredient of the narrative.







No comments: